Highway 307 runs from Cancún to Chetumal,
then beyond into Belize - you can cover the 82-mile Riviera Maya segment
(Cancun to Tulum) in around two hours. The clutter of billboards, gas
stations, dive shops, cybercafés, mechanics, and real-estate
agency signs along the road are the honky-tonk glue supporting this
Riviera's pocket paradises. But take any turn seaward (found by kilometer
marker plus instructions along the lines of, "a few meters beyond
the billboard for Coke, head down a dirt path and drive for three kilometers")
and enter a world apart. It's this world we decided to explore, of small
boutique oases where quality and sense of place are the watchwords.
Paraíso de la Bonita: Worldly Roots, Maya Charm
The dream of Mexican architect Carlos Gosselin Maurel, built in 2001
for his wife Elisa as an homage to their travels together, this elegant
beachfront compound derives its charm from its intimate Yucatecan flavor,
though all the 90 suites are named for places they've visited (Biblos,
Dakar, Sicily, Bali) and decorated with souvenirs thereof. The eclectic
result reminded us of the villa of a refined, well-heeled traveler.
The most manicured of the four resorts we visited, its thick russet
walls and archways stylistically blend the Moorish Spain of old with
its descendant, "Nueva España." Defined as a place
where water flows, the garden was the wellspring of the Moors' architecture,
and Paraíso is alive with the sound of water--in fountains, ponds
with fat, nipping koi, dipping pools en suite, one curvaceous swimming
pool, plus another brimming with seawater.
The Gosselins recognized the crystal clear salt water at their toes
as a natural treasure, and their 22,000-square-foot thalassic (seawater)
spa became the first certified spa in North America to introduce thermal
seawater baths and therapy. I knew from experience that the key to a
truly relaxing treatment was the assurance of being in skilled hands,
and I found the staff here a dream indeed. The Paraíso's other
star is La Canoa and two other dining rooms. Cued by the owners' passion
for travel, Avignon-born executive chef Fabrice Guisset has created
an international palette spiced with the unique flavors of Mexico. Guests
are welcome to visit the immaculate kitchen, and we were privileged
to witness the unveiling of the new season's menu. Surrounded by a nervous
staff, Fabrice tasted a delicate consommé with wild mushrooms,
rejected another dish as lacking body, fiddled with the dried-fruit
couscous with Puk-Choc onions, added a touch of fresh foie gras to a
tender filet of beef. We sampled a green sauce that tasted like spicy
pippin apples, and Fabrice confessed with a grin that it was his own
invention of chilled tomatillo, avocado and sweet chile, for anointing
a dessert of poached pears and strawberries. |
Nearby we navigated a street jammed with
gringos shopping for "authentic"
Maya beaded necklaces, rugs, even tattoos. Yet despite the hype used
to sell tourist-trappings from incredibly bad kitsch to "spiritual-shaman
massages,"there are the honest-to-goodness Maya (today some 2 million
strong) who've peopled this peninsula for more than three millenia.
They've seen much change in the three decades since Cancún was
created, and many have become part of the boom, leaving home to seek
work as maids and workers in tourism and construction.
Though many used to return to their villages when they
could to tend their milpa (cornfields), reconnect with kin, and swap
gossip and stories, most ended up abandoning the village way of life;
now, many still keep their language and religious traditions vibrantly
alive in private and attend their villages' fiestas maybe once a year,
but otherwise have adapted to the pace of the barrios along the coastal
corridor. Yet if you look into the faces of today's cooks, waiters,
and chambermaids, you can still see the portraits emblazoned in stone
at Chichén Itzá, Tulum and Cobá.
When we climbed the limestone-tile stairs to our hotel,
El Deseo, we learned why we were told it was the hip place to chill
out in downtown Playa: we were met by a sleek lounge ringed with a double
tier of 15 guest rooms--think ryokan meets beach club, a stage set built
for wishes as wispy as gauze to come and then to go. Décor is
minimalist-mod, in crisp bedsheet white and cool Maya blue--powder-blue
lounge beds with white translucent canopies like children's tented hideaways;
the enigmatic stencil "AWAY FROM YOU" resting like a love
letter at the bottom of a blue pool; even the house cocktail, the "Martini
Azul." Imagine staying up all night and having your own private
changing room, just off the floor of a hot nightclub complete with DJ.
Ambient-techno music flows from speakers inside and out, day and night,
and although we aren't fans of any sort of techno, we found it a continuous
undertow that worked on you - gradually pulling me out of my street
clothes and into a claw-foot bathtub, then into a sea-blue sarong (one
of the gifts clothespinned along a slender cord in our room), and finally
emerging onto the bar deck, where finger food and a rainbow of libations
flowed along with the music, courtesy of a young Argentine bartender
with putti curls crowning a devilishly innocent face.
The debonair manager, Alejandro Rueda, recommended a small Italian trattoria,
Casa Mediterranea. Thus it was we found ourselves among tables of chattering
Italians as we feasted on an enormous platter of frutti di mare, vino
rosso, then espresso, all served by a charming Neapolitan signorina
- at we could've been in Positano, not Playacar. Lounging postprandially
by the pool, we chatted against a backdrop of candy-pink lighting and
black-and-white Mexican film classics silently projected on a screen-size
wall, the din of the pedestrian streets below masked by cutting-edge
mood music.
Maroma Resort & Spa: Romance, Luxury, Ecology
After a brisk morning walk and freshly squeezed orange juice at Mamita's
Beach Club, we headed north to the Riviera Maya's grande dame (at the
ripe old age of 28). Another hideaway of amorous origin, Maroma is the
vision of Mexican architect José Moreno: to build a home and
inn with his future wife, Sally Shaw, who in 1976 was fleeing a Chicago
winter, never to look back. On a 500-acre coconut plantation, they began
with a small thatched cottage and a table seating ten friends. Like
an enduring love, their dream weathered blows including a malady that
wiped out the coconuts and a hurricane that blew away the cottage. Yet
in 1995, after seven years of rebuilding (and on Valentine's Day, no
less), a small jewel of a hostelry arose, José and Sally's "protest
against mediocrity," intent on preserving the rich local flora
and fauna. Even while growing into a resort of 50 rooms and a spa, it's
kept its human, harmonious proportions, incorporating bamboo and limestone
chock full of fossils, its thickly stuccoed walls and xit thatching
bringing to mind a gleaming white village at the edge of one of Mexico's
finest beaches.
Effervescent staffer Heda Chehda greeted us if we were her own personal
guests, with a welcoming smile and frosty margaritas. We climbed a spiral
staircase to the Mirador, a virtual Santorini of white curves and domes
overlooking a vista of blue, then after an exquisite feast upon the
likes of grilled lobster in jalapeño-saffron cream again stole
away to what we now called "the kissing tower" to watch a
million stars dissolve as the moon rose overhead. At dawn the next day
we walked the beach, dunes, and a patch of jungle with Maroma's resident
naturalist, Ramón Acunyo, who pointed out and explained the ecologically
vital sea grasses and mangroves; fauna from warbling
Altamira orioles to coatimundis foraging for insects amid the mulch;
and the chí chen tree, a relative of both cashew and poison ivy,
oozing a sinister black slime that's untouchably toxic (nearby, fortunately,
grows the antidote, the cha 'ka--also called the "tourist tree"
as its bark is red and always peeling). We passed chicle and zapote
trees, termite nests, beehives--a veritable pharmacopoeia of life that
has supported millions of Maya for thousands of years. And it was here,
from Ramón, that I finally learned the origin of "Maya blue."
On the offshore barrier reef-the second largest in the world-tiny blue-green
calcareous algae carry calcium carbonate (aka limestone). When the algae
die they leaves a fossil "skeleton" which crumbles along with
the reef coral to create the softest, powderiest sand imaginable; then
sunlight through the water absorbs all colors except that magical turquoise
that first lured me here. To me it seems no less mysterious or romantic.
More than merely luxe, Maroma is highly congenial, with guests returning
year after year and comfy patios conducive to striking up conversation.
One of our new friends might have been a baroness or a starlet, another
a senator or a world-famous diva--but here no one acted like anything
other than just a bunch of friendly folks basking at the edge of the
jungle beneath a palm-fringed sky.
Ikal de Mar: Poetry in Ocean
We ended our Yucatan idyll with a poem and a song of the sea, at a secluded
compound near the village of Xcalacoco ("ikal" is a rendering
of n'kai, Maya for song). Our arrival was serendaded by birds down a
meandering path lined with stones, tropical trees, and a riot of blooms--past
a gentle waterfall, a small cenote, across a curved bridge. A side trail
led to our Villa Neruda - named, as are all 29 villas, for a famous
poet. "I need the sea because it teaches me," wrote Chilean
Nobelist Pablo Neruda; I can think of few poets as romantic, and his
spirit suffuses Ikal del Mar, which though compact casts the illusion
of being lost in a vast botanic wonderland
leading to a wild, open sea.
That afternoon while Macduff was off taking pictures, I lay face up
on a platform at the edge of the beach following my 90-minute "Maya
Crepuscular Massage." Eyes closed, I might have been a pink conch
snug in her shell, the sea whooshing around me, as my masseur Juan snugly
wrapped my mud-slathered body in a warm, soft towel. Drifting on this
side of sleep, loathe to rouse myself, I finally sat up like a disheveled
ghost, and scurried down the path to the spa, wrapped waif-like in my
muddied towel, hoping I wouldn't get lost. At the bridge, a spa staffer
greeted me with fresh towels and opened the door to a divine steam bath.
Later in the room, I wondered whither my husband. The phone rang-and
it was he, asking me to meet him down at the beach. I went, and spied
four flaming torches, and a gauze tent just large enough to shelter
a table set for two on the sand, with crisp linens, candles, lobster
ceviche, and a full-bodied Monte Xanic Cabernet--all attended by our
personal waiter. There, too, was my prince, beaming at having completely
blown my mind. In the distance beyond, the highrises of Cozumel and
the passing ships seemed like a twinkling mirage. "I am spoiled
to tears," I thought.
Hours later, I stared up at a starburst of zapote beams above our head,
hung with white netting, as Macduff read me aloud the poem left on our
turned-down bed--a different poet each night. It sounded like something
about the color blue, and love--and I drifted into delicious sleep.
Copyright © Mary Heebner 2004
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